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Have you been through St James or Museum Stations lately, King cross car park, some of Sydney’s back streets or maybe popped into a random building in North Sydney and found yourself immersed in art?
Their are plenty so initiatives out there showcasing some amazing art, remember to check them out! To name a few:
Don’t forget to check out our INSTUDIO interview with Laura Jones https://sydneyartgalleriesandartcommunity.wordpress.com/2013/03/03/instudio-with-laura-jones/
Monday 11th March
ANDREW QUILTY – TRANSPORT
When: 09/03/2013 – 06/04/2013
@ St. James & Museum Stations, Sydney
Contemporary Indigenous Art in the Cities, Wally Caruana
$50 per person
@ Michael Reid at Elizabeth Bay – 44 Roslyn Gardens, Elizabeth Bay
Tuesday 12th March
Mirror,Mirror’ exhibition of Throwdown Press artists
opened by Michael Kempson
@ COFAspace – COFA, E Block, Ground Floor, Paddington
Aboriginal Art on the World Stage
Book your free tickets!
@ Annandale Galleries – 110 Trafalgar Street, Sydney
@ 55 Sydenham Rd Marrickville NSW 2204 AU
Professional Development Series Part 2 – Technology for Artists
@ Art Est. Art School – 67 Lords Road, Leichhardt
Art Crawl 2: PADDINGTON
Parents and babies take a gentle, stroller friendly gallery tour through Paddington
@ Wagner Art Gallery – 39 Gurner Street, Paddington
Wednesday 13th March
Chicks on Speed. Premiering at Artspace SCREAM incorporates music, fashion,
performance and video within in an immersive interactive installation.
@ Artspace – 43–51 Cowper Wharf Road, Woolloomooloo, Sydney
GUY MAESTRI – HEAVY GROUND
EMMA VAN LEEST – AMORIS LABOR
@ Olsen Irwin Gallery – 63 Jersey Road, Woollahra
Rene Sinkjaer – A Way to be Free
@ Sheffer Gallery – 38 Lander Street, Darlington
KNIT KNOT WEAVE
@ Gallery Lane Cove – Upper Level 164 Longueville Road, Lane Cove
The Identity, the Definition – Phyllis Wong
@ Global Gallery – 5 Comber Street, Paddington
@ firstdraft gallery – 116—118 Chalmers St, Surry Hills
PRINT & STAPLE VOL.2
@ The Tate – 345 Glebe Point Road, Glebe
Magnificent Obsessions: Personal tales of art collecting
Why collect? We discuss the stories, the decisions & the obsession
@ Collector’s Space – 125A Kent Street, Sydney
Thursday 14th March
Seen & Heard Film Festival 2013
When: 7pm – 7, 14 and 21 March
@ The Red Rattler Theatre – 6 Faversham St, Marrickville,
@ GALLERY ALOFT – Shop 2/654 Darling Street Rozelle, (enter on National Street)
Triginta by Sam Mitchell-fin
@ Gallery 2010 – 69 Reservoir Street, Surry Hills
@ Gallery Aloft – Shop 2/654 Darling Street, Rozelle,
Classic Film Night – Pontecorvo’s The Battle of Algiers
@ Sydney Mechanics’ School of Arts – 280 Pitt Street, Sydney
Friday 15th March
JENNY SAGES – Paths to Portraiture
RUTH BURGESS – From the Forest
Opened by Edmund Capon AM, OBE6.30pm
@ MOSMAN ART GALLERY – cnr Art Gallery Way & Myahgah Road, Mosman
Art@Night for ArtMonth Sydney
ART BAR for the Chippendale/Redfern precinct
@ MCLEMOI GALLERY – 45 Chippen Street, Chippendale
Imagined Landscapes – Toni McDowell
@ GINKGO – 166 St Johns Road, Forest Lodge, Glebe
AUTUMN SEASON 2013
Robert Besanko, Brad Buckley, John Conomos, Ian North – Official Launch
@ Australian Centre for Photography – 257 Oxford Street, Paddington
@ Gallery eight – Galleryeight – 12 Argyle Place, Millers Point
The Bell Ringer’s Ball
@ Depot Gallery – 2 Dank Street, Waterloo
@ Wellington St Projects – Studio 8 19-25 Wellington St Projects Chippendale
Photographer Kristian Taylor-Wood and Stylist Rebecca Riegger have joined forces with the freakishly talented artists of Hunter & Fox Tattoo Studio to produce an exhibition like no other.
@ The Tate – 345 Glebe Point Road, Glebe,
The Barons of Tang
Dave Bova Band: Divina Commedia
7pm, $12 presale, $15 at the door
Presale tickets available through Moshtix – 1300 GET TIX (438 849)
@ The Red Rattler Theatre – 6 Faversham Street, Marrickville
PRECINCT NIGHT 4: Chippendale/Redfern
When: 6-8pm & 8-10pm
@ McLemoi Gallery – 45 Chippen Street, Chippendale
Saturday 16th March
Vibratory Fields and Surfaces, an exhibition exploring the abstraction of territory and space.
Featuring the work of Celia Gullet, Ian Jones, Jennifer Keeler-Milne and Gordon Waters.
Monday – Friday: 10:00 am – 4:00 pm by appointment
@ The Margaret Whitlam Galleries, Female Orphan School, West Wing, Building EZ, Parramatta campus
TRACY DODS – THE ANNUAL BIENNIAL
@ Soho Galleries Sydney – Corner Crown & Cathedral Street, Sydney
Inventive and Ingenious: A Talk and Tour of the Gallery hosted by Grace Cochrane, Independent Curator and Writer, formerly Senior Curator of Australian Design, Powerhouse Museum
@ Kerrie Lowe Gallery – 49-51 King Street, Newtown
Behind The White Rabbit
Join Phyllis Rowlinson, White Rabbit’s Head of Education, for a fascinating tour of the White Rabbit
@ White Rabbit Collection – 30 Balfour Street – Chippendale
2013 Boomalli Members Show
@ Boomalli Aboriginal Artists Cooperative – 55-59 Flood Street Leichhardt, NSW
The Abbee – Ian Provest, Curator Sandy Edwards
When: 2-5pm (Official speeches 3pm)
@ ArtHere Photomedia Space – 126 Regent Street, Redfern
Grant Stevens’ outdoor projection of Tranquility Falls and pop up installation of his four channel video work Supermassive
@ the intersection of Ash Street and Angel Place, Sydney, (behind Martin Place)
MORPHIC – Victor Hugo
@ blank_space Gallery – 374 Crown St Surry Hills, Sydney
@ Damien Minton Gallery – 583 Elizabeth Street, Sydney
Parallel Lines: Aboriginal Art in the Contemporary Collection
@ Utopia Art Sydney – 2 Danks Street, Sydney
For the Love of God. Is contemporary art a joke?
Book your free tickets!
@ Alaska Projects – Level 2, Kings Cross Car Park, 9A Elizabeth Bay Road
From Create to Space | A Parramatta tourublic
@ Parramatta Artists Studios – Level 1 & 2, 68 Macquarie St, Parramatta
QUADRANGLE TWILIGHT 2013
@ Quadrangle – 69 Reservoir Street, Sydney
Behind the scenes of Song Dong – Exclusive tour and dinner
An exclusive tour of two significant exhibitions by one of China’s leading artists – Song Dong. Bookings essential
@ Carriageworks – 245 Wilson Street, Eveleigh
Art School Confidential (City)
Go behind the scenes on a tour of Sydney’s hidden University Galleries.
@ Tin Sheds Gallery – 148 City Road, The University Of Sydney
ART CYCLE: CBD/Redfern/Chippendale
@ Forecourt AMP Building
Sunday 17th March
GB presents – Secret Identity
Pre-Sale tickets from 27$ + bf
Door Tickets $40
@ Gallery Burlesque – The Standard – Level 3, 383 Bourke Street, Surry Hills
THINGS OF INTEREST + opportunities for artists
SafARI is the unofficial fringe exhibition to the Biennale of Sydney, and 2014
will mark its fifth edition. SafARI showcases the work of emerging and
unrepresented Australian artists in multiple sites across Sydney, including
Artist Run Initiatives (ARIs) and public spaces. It is timed to coincide with
the crucial first opening weeks of the Biennale of Sydney in March 2014.
In the past, SafARI has exhibited the work of sculptors, photographers,
installation artists, painters, performance artists, ceramicists, printmakers,
digital, video and new media artists, and we are interested in representing the
diversity of Australian contemporary arts practice again in 2014. Previous
participants in SafARI have gone on to new heights in their practice and
careers; artists such as Clark Beaumont, Liam Benson, Tom Polo, Karla Dickens
and Mark Rodda.
SafARI is now calling for submissions from emerging and unrepresented artists
working across diverse media across Australia to be considered for SafARI 2014.
Solo artists and/or groups of one or more artists will be considered.
Submissions should include:
An artist statement (max 300 words)
A proposal of artworks/projects for SafARI 2014 (max 300 words)
Maximum of 10 images and/or footage
1 A4 page CV
Stamped SAE for return of material if required.
PO Box A593
Sydney South NSW 1235
Emailed to (max 5MB):
Deadline: Friday 10 April 2013
For this issue of un Magazine we want to explore concepts of knowledge and research and the role they play in the production of contemporary art.
Submissions can consider the means and methods by which contemporary artists produce and construct knowledge either by way of academic research or other non-academic, non- institutionalised forms of research or knowledge making. If we accept that our understanding of research practice in science is that it produces ‘new’ or ‘important’ or ‘significant’ knowledge, then what knowledge, if any, is produced by an artwork? Is it possible for an artwork to produce new or important or significant knowledge? And if it does, what form does this take?
un Magazine is interested in articles written by artists as well as by writers that may take the form of research based feature articles, interviews or reviews that address these questions and others related to examining the relationship between contemporary art, research, and knowledge. Proposals for artist pages are also invited and encouraged.
un Magazine content:
We welcome proposals for contributions including but not limited to: criticism or review of contemporary independent art projects, exhibitions and publications (taking place since March 2013); interviews; essays and features on topics that can contribute to current debate; and contributions of experimental contemporary art practice engaged with text, writing or publication modes. Priority is also given to art projects and organisations that are often overlooked by mainstream art publications.
-A completed Application Form (PDF) (dowload from un Projects.org.au)
-100 word outline of your proposed writing or an example, or mock-up or description of a proposed artwork
-Full curriculum vitae and a short sample of writing if you are proposing a text contribution
-2-5 images (as small jpeg files only) if relevant
-All submissions and editorial enquiries should be emailed to the Editor: firstname.lastname@example.org
Applications due 5pm Monday 11 March 2013
About un Magazine
un Magazine is produced by un Projects and is Australia’s leading independent magazine for writing on contemporary visual art. un Magazine fosters and offers opportunities to promote independent, critical thinking regarding contemporary art in all media. Focused on artists, writers, artist-run and independent projects and contemporary art communities, un Magazine is an important platform for the dialogue of ideas extending from the local into national and international contexts. un Magazine intends to:
Generate critical commentary and discussion on independent contemporary art projects and practices in Melbourne and beyond
Offer a platform for new forms of critical engagement with contemporary practice in publication form=
Encourage and promote new creative and critical thinking across writing in its broadest interpretation from writers and artists
Provide editorial and mentoring support and publishing opportunities for new and emerging writers on contemporary art across all disciplines.
un Magazine Mentorship Program
un Magazine values its role in providing editorial support and mentorship to new and emerging writers and editors. We offer one-to-one mentorship for a small number of contributors. The Mentorship Program offers the benefit of working with a member of the un Magazine Advisory Committee in the drafting and development of your writing for publication. Please see application form for further details.
Ever wanted to learn more about the intricacies of the Riso printer? Keen to be part of the core group of people who keep the machine and open print sessions going? Want (limited) out of hours access to the machine? Ever wanted to be paid to teach others how to use the stencil press?
Enrol in our 1 day volunteer training day and get qualified to be an open print volunteer – you’ll be the one helping others in the community use the machine on an open print studio day.
The course is at The Oxford St Design Store (58 Oxford St) from 12-5pm on Sunday 17 March and it’s FREE! But we ask you commit to volunteering for at least 3 open print sessions over the next 6 months.
You’ll learn how to troubleshoot printing, how the administrative and financial side of the collective works (it’s easy, we promise!) and the house rules of the space we’re in. Once you’ve done the course you’ll be rostered on to Saturday open print studio shifts, and can use the machine before and after the sessions for your own printing (at cost price).
After you’ve volunteered for three open print studios we’d love you to keep volunteering, and also think about taking on paid roles running workshops in the space – all our paid workshops include a teaching fee for collective members who teach the courses.
Email us at email@example.com if you want to enrol or have any questions.
When: 12:00pm until 5:00pm
@ Rizzeria Printer – 58 Oxford Street, Darlinghurst